Teaching and Pedagogy
Jonathon Adams
Voice, Historical Performance, Interdisciplinary Arts, Indigenous/Native American Studies
Associate Professor, Schulich School of Music, McGill University 2014-present
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2020-Current Schulich School of Music, McGill University
Associate Professor of Voice
2018-Current Schulich School of Music, McGill University, Coordinator of the Voice Area
2014-Current Schulich School of Music, McGill University
Assistant Professor of Voice
2013-2014 Smith College (Northampton, Massachusetts)
Adjunct Faculty, Voice Instructor
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2019 NATS Montreal, joined masterclass with Prof. John Mac Master, April 13th, Schulich School of Music
2018 Atelier de l’opéra de Montréal Masterclass, October 13th
Gordon Wallis Opera Competition, Regina, SK, Jury, February 24th
Gordon Wallis Opera Competition, Regina, SK, Joined Masterclasses with Brian Deedrick, February 25th
Concours musical international de Montréal, Voice, Montréal, Preliminaries “ Grey Zone”, Jury, January 25th
Classical Singer Voice Competition Preliminaries, Montreal, QC, Jury, January 13th
2017 Wirth Vocal Prize, Schulich School of Music, Montreal, QC, Preliminaries, Jury, November 11th
Opera Nuova, Edmonton, AB, Joined Masterclass with Michael McMahon, June 18th
Conservatoire de Gatineau, Gatineau, QC, Joined Masterclasses with John MacMaster, March 27th
Ecole de La Salle, Ottawa, ONT, Joined Masterclasses with John MacMaster, March 27th
Ecole Vincent d’Indy, Montreal, QC, Joined Masterclass with John MacMaster, March 17th
University of Toronto, Toronto, ONT, Masterclasses, February 8-10th
Vanier College, Montreal, QC, Joined Masterclasses with John MacMaster, January 31st
2016 Vassar College, Poughkeepsie, NY, Masterclass, October 31st
Classical Singers’ Convention, Boston, MA, Masterclass, May
San Francisco Conservatory, San Francisco, CA, Masterclass, April 29th
2015 Harvard University, Cambridge, MA, Masterclass, April
2014 Carmel Bach Festival, Carmel, CA, Masterclass, July
Wisconsin Conservatory of Music, Milwaukee, WI, Masterclass, April 8th
2012 Vassar College, Poughkeepsie, NY, Masterclass, February 17th
2010 University of Massachusetts, Amherst, MA, Masterclass, February 11th
Smith College, Northampton, MA, Masterclass, February 7th
2009 Harvard University, Cambridge, MA, Masterclass, May
2005 McGill University, Montreal, Masterclass, April 6th
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2019 Heifetz Institute Baroque Program, inaugural program in collaboration with David Stern (Staunton, VA)
2019 Opera Nuova (Edmonton, AB), Voice Instructor
2018-… Canadian Opera Company Ensemble (Toronto, ON), Guest Voice Teacher
2018-… Atelier de l’opéra de Montréal (Montreal, QC), Member of the teaching academy
2017 Opera Nuova (Edmonton, AB), Voice Instructor
Domaine Forget (St-Irénée, QC), Voice Instructor
University of Toronto (Toronto, ON), Residency with Schola Cantorum
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2018 Opera Canada Ruby Award
2018 Schulich School of Music Outstanding Teacher Award
2017 Philharmonia Baroque Orchestra, Honours in recognition of outstanding commitment to Early Music and extraordinary partnership
1996 Boston University Distinguished Alumni Award
1996 George London Foundation Award
1989 Metropolitan Opera National Winner
1989 Esther B. Kahn Career Grant, Boston University
1988-1989 Boston University Dean Scholarship
Dominique Labelle
Voice
Associate Professor, Schulich School of Music, McGill University 2014-present
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2020-Current Schulich School of Music, McGill University
Associate Professor of Voice
2018-Current Schulich School of Music, McGill University, Coordinator of the Voice Area
2014-Current Schulich School of Music, McGill University
Assistant Professor of Voice
Currently teaches undergraduate and graduate voice performance majors
Taught French Diction during Winter 2015
2013-2014 Smith College (Northampton, Massachusetts)
Adjunct Faculty, Voice Instructor
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2019 NATS Montreal, joined masterclass with Prof. John Mac Master, April 13th, Schulich School of Music
2018 Atelier de l’opéra de Montréal Masterclass, October 13th
Gordon Wallis Opera Competition, Regina, SK, Jury, February 24th
Gordon Wallis Opera Competition, Regina, SK, Joined Masterclasses with Brian Deedrick, February 25th
Concours musical international de Montréal, Voice, Montréal, Preliminaries “ Grey Zone”, Jury, January 25th
Classical Singer Voice Competition Preliminaries, Montreal, QC, Jury, January 13th
2017 Wirth Vocal Prize, Schulich School of Music, Montreal, QC, Preliminaries, Jury, November 11th
Opera Nuova, Edmonton, AB, Joined Masterclass with Michael McMahon, June 18th
Conservatoire de Gatineau, Gatineau, QC, Joined Masterclasses with John MacMaster, March 27th
Ecole de La Salle, Ottawa, ONT, Joined Masterclasses with John MacMaster, March 27th
Ecole Vincent d’Indy, Montreal, QC, Joined Masterclass with John MacMaster, March 17th
University of Toronto, Toronto, ONT, Masterclasses, February 8-10th
Vanier College, Montreal, QC, Joined Masterclasses with John MacMaster, January 31st
2016 Vassar College, Poughkeepsie, NY, Masterclass, October 31st
Classical Singers’ Convention, Boston, MA, Masterclass, May
San Francisco Conservatory, San Francisco, CA, Masterclass, April 29th
2015 Harvard University, Cambridge, MA, Masterclass, April
2014 Carmel Bach Festival, Carmel, CA, Masterclass, July
Wisconsin Conservatory of Music, Milwaukee, WI, Masterclass, April 8th
2012 Vassar College, Poughkeepsie, NY, Masterclass, February 17th
2010 University of Massachusetts, Amherst, MA, Masterclass, February 11th
Smith College, Northampton, MA, Masterclass, February 7th
2009 Harvard University, Cambridge, MA, Masterclass, May
2005 McGill University, Montreal, Masterclass, April 6th
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2019 Heifetz Institute Baroque Program, inaugural program in collaboration with David Stern (Staunton, VA)
2019 Opera Nuova (Edmonton, AB), Voice Instructor
2018-… Canadian Opera Company Ensemble (Toronto, ON), Guest Voice Teacher
2018-… Atelier de l’opéra de Montréal (Montreal, QC), Member of the teaching academy
2017 Opera Nuova (Edmonton, AB), Voice Instructor
Domaine Forget (St-Irénée, QC), Voice Instructor
University of Toronto (Toronto, ON), Residency with Schola Cantorum
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2018 Opera Canada Ruby Award
2018 Schulich School of Music Outstanding Teacher Award
2017 Philharmonia Baroque Orchestra, Honours in recognition of outstanding commitment to Early Music and extraordinary partnership
1996 Boston University Distinguished Alumni Award
1996 George London Foundation Award
1989 Metropolitan Opera National Winner
1989 Esther B. Kahn Career Grant, Boston University
1988-1989 Boston University Dean Scholarship
Nicholas McGegan
Conducting, Historical Performance, Baroque Ornamentation
Music Director Laureate, Philharmonia Baroque Orchestra; Principal Guest Conductor, Capella Savaria
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Supervisor at King’s College, Cambridge (1973-79)
Supervisor at Oriel College, Oxford (1974-75)
Professor of Baroque Flute, R.C.M., London (1973-79)
Professor of Music History, R.C.M., London (1975-79)
Director of Early Music, R.C.M., London (1976-80)
Artist-in-Residence, Washington University, St. Louis, Missouri (1979-85)
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Christoph Wolff Distinguished Scholar, Harvard University
Yale Center for British Art
Yale Institute for Sacred Music
The Juilliard School
Lewis Walpole Library Lecture, Yale University
American Handel SocietyUniversity of California, Berkeley
University of Toronto
Stanford University, California
University of Illinois, Champaign-Urbana
Estherháza International Haydn Course
Oberlin College, Ohio
San Francisco Conservatory
New England ConservatoryIndiana University Jacobs School of Music
The Colburn School
The Curtis Institute of Music
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Hon. R.C.M. (Honorary degree from Royal College of Music, London) 1977
Grammy Nomination – Best Choral Performance (Other than Opera) – “Handel: Susanna” 1990
Halle Handel Prize 1993
Hon. Prof. Georg-August University, Göttingen (Honorary Professor of Philosophy, Georg-August University, Göttingen) 2006
O.B.E. (Officer of the Order of the British Empire) 2010
Verdienstkreuz (am Bande) Niedersachsen Germany 2011
Grammy Nomination – Best Orchestra Performance - "Haydn: Symphonies 104, 88 & 101" 2012
Honorary degree of Doctor of Music, San Francisco Conservatory of Music, California 2013
Gramophone Award – Baroque Vocal – Handel Susanna with Philharmonia Baroque Orchestra 1991
Gramophone Award – Early Opera – Handel Ariodante with Freiburger Barockorchester/Lorraine Hunt 1996
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Capella Savaria, Hungary, Principal Guest Conductor 2019 – present (lifetime appointment)
Philharmonia Baroque Orchestra, San Francisco, California, Music Director, (1985 – 2020) Music
Director Laureate (2020 - present)
Pasadena Symphony & Pops, Principal Guest Conductor (2013 – 2020)Adelaide Symphony Orchestra, Adelaide, Australia, Artist-in-Association, (2014 – 2016)
International Handel-Festival Göttingen, Göttingen, Germany, Artistic Director, (1991 – 2011)
St. Paul Chamber Orchestra, St. Paul, MN, Artistic Partner (2004 – 2009)Milwaukee Symphony Orchestra, Milwaukee, Wisconsin, Artist-in-Residence, (2003 – 2006)
Irish Chamber Orchestra, Limerick, Ireland, Music Director, (2002 – 2005)
St. Paul Chamber Orchestra, St. Paul, MN, Baroque Series Director, (1999 – 2004)Scottish Opera, Glasgow, Scotland, Principal Guest Conductor, (1993 – 1998)
Drottningholm Court Theatre, Sweden, Principal Conductor (1993 – 1996)
Santa Fe Chamber Music Festival, Santa Fe, New Mexico, Baroque Artistic Consultant, (1990 – 1992)
Arcadian Academy, San Francisco, CA, Artistic Director and Founder, (1992 – )
Sherezade Panthaki
Voice
Music Director Laureate, Philharmonia Baroque Orchestra; Principal Guest Conductor, Capella Savaria
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Mount Holyoke College, South Hadley, Massachusetts
Lecturer in Voice and Coordinator of the Voice Area, 2021 - presentYale University, New Haven, Connecticut Instructor of Voice, 2019 - 2022
Instructor of Voice (Private Lessons), 2011 - 2019
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Founding Member and Artistic Advisor of the Kaleidoscope Vocal Ensemble
2019 - present
- Founding member soprano of one-voice-per-part vocal octet, highlighting the artistic excellence of singers from diverse races and nationalities, within the framework of early music and new music.
- Work closely as mentors and performing artists with schools and arts organizations, especially lifting up communities with students of color to show that success comes in all shades.
- Facilitate meaningful conversations with audiences and students about diversity and representation in the arts.
- Provide support and advice to the Artistic Director with day-to-day operations, long-term decisions, and creation of 501(c)(3) non-profit statusDirector of Music, University Church at Yale, New Haven, Connecticut Annually from May through August, 2010 - present
- Conduct and lead choral anthems, hymns, and service music appropriate for Sunday worship.
- Play piano and organ as needed in worship services, to supplement or substitute for church organist.
- Meet weekly and work closely with Yale University Church pastors, liturgical assistants, and lay worship leaders
to create an inclusive, diverse worship experience, drawing on many international and ecumenical traditions.
Director of Music, First Presbyterian Church of Urbana, Urbana, Illinois August 2004 - July 2009
- Conduct and lead the church’s adult Sanctuary Choir as well as Youth Choir in choral anthems, hymns, and
service music appropriate for Sunday worship.
- Creation and Artistic Direction of the church’s 150th Anniversary concert series.
- Conduct major masterworks with full choir and orchestra several times a year, for Special Music Sundays.
- Play piano, organ, and harpsichord as needed in worship services, to supplement or substitute for church organist.
- Conduct church’s Handbell Ensemble
- Arrange for acquisition and building of brand-new harpsichord as a capital gift to the church.
- Oversee the church’s instrument collection and musical library, updating and adding as needed.
Choir Director, Davis Memorial Presbyterian Church, Elkins, West Virginia August 1997-July 1999
- Conduct and lead the church’s adult Sanctuary Choir in choral anthems, hymns, and service music appropriate for
Sunday worship.
- Play piano and organ as needed in worship services, to supplement or substitute for church organist. -
Harvard University, 2016
Christoph Wolff Visiting Performer at the Harvard University Department of Music, to present public masterclasses for students at Harvard University, and sing lecture recital programs of Jewish Baroque Music in the Venetian Ghetto, with Philharmonia Baroque Orchestra.
Yale University, 2009-2011
The Phyllis Curtin Career Entry Prize, to assist in launching the career of a graduating voice student who demonstrates exceptional talent as an artist and promise for a professional career.
The Margot Fassler Prize in the Performance of Sacred Music, to a graduating student demonstrating a consistently exceptional level of performance.
Institute of Sacred Music Director’s Prize, awarded by faculty vote for the best academic final thesis presentation. Institute of Sacred Music Student’s Choice for Best Colloquium Prize, awarded by student vote for the best academic final thesis presentation.
The Horatio Parker Memorial Prize, to a returning student selected by the faculty as best fulfilling Dean Parker’s lofty musical ideals.Carmel Bach Festival Young Artist Fellowship, 2006
One SATB quartet selected each year from hundreds of international applications, featuring young artists in several performances and masterclasses, exploring all aspects of performing Baroque vocal music, including vocal technique, musical style, foreign language skills, and artistic communication.
University of Illinois at Urbana-Champaign, 1999-2001
School of Music Graduate Fellowship, awarded as a teaching assistantship and all-expenses paid graduate degree.
West Virginia Wesleyan College, 1996-1999
Dean’s Scholarship, awarded each semester for academic excellence.
Marie Boette Organ Scholarship, awarded for demonstrated interest and encouragement of an organ student. Music Department Scholarship, awarded for consistently demonstrated musical excellence.All-India Piano Competition, Intermediate Division, 2nd Prize, 1993
National Piano competition with several rounds adjudicated by an international jury panel. PIANO SKILLS:
- Intermediate level. Vast experience accompanying students in recitals. Excellent continuo/ figured bass skills.
Julian Perkins
Historical Performance, Harpsichord, Directing, Voice, Chamber Music
Music Director Laureate, Philharmonia Baroque Orchestra; Principal Guest Conductor, Capella Savaria
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2023 Musica Britannica
Principal adjudicator for Lewis Memorial Prize
2017 – Royal Opera House, London
Visiting coach for Young Artists Programme
2015 – Royal College of Music, London
Sole adjudicator for Historical Performance Competition
Masterclasses with students from the vocal faculty and Historical Performance departments
Cover teacher for first-study harpsichord
2012 – ’14 Royal Northern College of Music, Manchester
Harpsichord teacher and vocal coach for first- and second-study students
2012 – National Opera Studio, London
Visiting coach for vocal students and repetiteurs
Showcase concerts with students on Baroque repertoire
2012 – Masterclasses and workshops
Inc. Amsterdam Conservatory, Juilliard School, Royal Conservatory of the Hague, Guildhall School of Music & Drama, Venice Conservatory, Cambridge University and Oxford University
2002 – ’09 Royal Academy of Music, London
Lecture-demonstrations at the Royal Academy of Music Museum
Chamber music coaching, lecturer of academic studies and teacher of keyboard skills
Supervisor for undergraduate dissertations
Devised and taught a bespoke academic course for the prodigy programme
2002 – Sinfonia Smith Square
Baroque coach and conductor for annual Baroque and Classical projects
2001 – Outreach educational work
Orchestra of the Age of Enlightenment, Live Music Now, National Youth Orchestra (UK), Handel Hendrix House, Finchcocks Charity, Pembroke Academy and Portland Baroque Orchestra
Mary Phillips
Voice
Guest Voice Faculty: Sarah Lawrence College
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2019- Present, Sarah Lawrence College- guest voice faculty
Private Voice Instructor, 2015 - Present, Riverdale Country School, Riverdale, NY Individual instruction in vocal technique, breathing, diction, classical & popular repertoire Private Voice Instructor, 2014 – 2019, Westchester Home Music Group, Scarsdale, NY Individual instruction in vocal technique: breathing, diction, classical & popular repertoire Private Voice Instructor, 1992 –93, Yale University – Taught Undergraduates vocal technique, breathing, diction, classical & popular repertoire
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University of Alberta, Grad. Students, 2013
Rhode Island College, Undergraduate Voice Students, 2015
Arizona Opera Studio Artists, 2013; Pittsburgh Festival Opera Young Artists 2017
Nola Richardson
Voice
Cyndia Sieden
Voice
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Mannes, staff, 2018-present
Pacific Lutheran University, adjunct faculty, 2011-2023
University of Washington, Artist in Residence, 2014-2020
Cornish College of the Arts, adjunct faculty, 2010-2014
Private Students, 1991 – present -
Gent Opera Studio, studio voice and master classes, 2002-2003
Seattle Opera Young Artist Program, studio voice and master classes, 20042009 Hawaii Performing Arts Festival, studio voice and masterclasses, 2013, 2014
Guest Voice Faculty: Sarah Lawrence College
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2014-2017 Graduate Teaching Assistant at Yale School of Music - New Haven, CT
2007-2014 Private Voice Studio - Bloomington, IL and Baltimore, MDStudents ranging from 15-75 years of age
2011-2013 Teacher of voice, violin and piano at Music and Arts - Rockville, MDStudents ranging from age 5-65 years of age
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2024 Masterclass for Friends of Chamber Music - Kansas City, MO
2024 Masterclass for Peabody Institute of Music - Baltimore, MD 2023 Guest Clinician and workshop leader for Choral Conducting Symposium, University of Missouri - Kansas City, MO
2023 Discussions, rehearsals, and workshops with students of the Seraphic Fire ProfessionalChoral Institute at Aspen Music Festival - Aspen, CO
2021 Masterclass (virtual) for Illinois Wesleyan University - Bloomington, IL
2019 Discussions, rehearsals, and workshops with students of the Seraphic Fire ProfessionalChoral Institute at Aspen Music Festival - Aspen, CO
2018 Workshop for Baltimore Choral Arts Society Vocal Fellows - Baltimore, MD
2016 Masterclass for Oratorio Chorale singers - Portland, ME
2015 Masterclass at Oberlin - Oberlin, OH
2013 Workshops for Choral Singers of the Diocese of Maryland - Baltimore, MD
2012 Workshops for Choral Singers of the Diocese of Maryland - Baltimore, MD
Jory Vinikour
Voice, Harpsichord, Baroque style for pianists, Chamber Music
Area Chair for Voice (20XX-20XX)
Associate Professor, Schulich School of Music, McGill University 2014-present
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1993-1999: Conservatoire National de Musique de Chalon-sur- Saône : professor of harpsichord
2004, 2006, 2008, 2009: Austria Baroque Academy : professor of harpsichord 2010: Gnessin Academy : masterclass in harpsichord2010: Tchaikovsky Conservatory : masterclass in harpsichord
2010: European Academy (Montepulciano) : masterclass in harpsichord 2011, 2013, 2015, 2020: University of Chicago : masterclass in Baroque style for pianists
2014: University of California, Los Angeles – masterclass in Baroque style for pianists
2014: Gilmore Piano Festival : masterclass in Baroque style for pianists2016, 2017, 2023: University of Southern California - masterclass in harpsichord, voice, chamber music
2018: Centre de Musique Baroque de Versailles (classes in Prague) - masterclass in harpsichord - French Baroque répertoire, 17th and 18th century
2020: Belgrade Baroque Academy, masterclass in harpsichord, voice, chamber music
2021: LAMP Academy (Lunenburg, Nova Scotia) - masterclass in harpsichord, voice, chamber music
2022, 2023: Prangins Baroque Festival (Switzerland) - masterclass in harpsichord, voice, chamber music -
1994 Prague Spring Competition : First Prize, overall Festival Prize
1993 Warsaw International Harpsichord Competition : First Prize
1987 Concours International de Clavecin de Paris : Contemporary Music Prize (Ligeti and Tôn-Thât Tiêt)2013 : Grammy Nomination (Complete harpsichord works of Jean-Philippe Rameau) :Best Classical Instrumental Solo
2015 : Grammy Nomination (Toccatas : Contemporary American Works for Harpsichord) : Best Classical Instrumental Solo