Schade’s “crystal-clean intonation” at Vienna State Opera

Posted on May 20, 2018 in Michael Schade, Reviews | No Comments
Schade’s “crystal-clean intonation” at Vienna State Opera

“Dramatically engaging, Schade sang the 16th-century Sonnet for strings and cembalo accompaniment with crystal-clean intonation and an even, forward-placed legato.”

— Read more at OperWire.