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BACH “Agnus Dei” from B minor Mass


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BACH “Agnus Dei” from Mass in B Minor

Widely praised for her musical intelligence and “expressive virtuosity” (San Francisco Chronicle), Meg Bragle has earned an international reputation as one of today’s most gifted mezzo-sopranos, particularly in the field of early music. A frequent featured soloist with Sir John Eliot Gardiner and the English Baroque Soloists, she has made four recordings with the group, including Bach’s Easter and Ascension Oratorios – the vehicle for her BBC Proms debut − and the 2015 release of Bach’s Mass in B Minor. Ms. Bragle has sung in North America and Europe with the Philharmonia Baroque Orchestra, Netherlands Bach Society, Tafelmusik Baroque Orchestra, Orchestra of the Age of Enlightenment, St. Paul Chamber Orchestra, Les Violons du Roy, Orpheus Chamber Orchestra, Orchestra of St. Luke’s, Orchestre Révolutionnaire et Romantique, American Bach Soloists, Apollo’s Fire, Arion Baroque and the Dunedin Consort.Ms. Bragle has performed both baroque and late repertoire with many symphony orchestras in the U.S. and Canada including the Houston (Beethoven’s Mass in C Minor), National (Messiah),  Indianapolis (Mozart’s Requiem), Milwaukee (Mozart’s Requiem), Cincinnati (Bach’s Mass in B Minor), Pacific (Handel’s Judas Maccabeus), and Colorado (Mendelssohn’s Elijah) Symphonies; the National Arts Center Orchestra (Messiah) and a series of concerts with the Calgary Philharmonic including Handel’s Messiah and Beethoven’s Symphony No. 9.Highlights of her 2019/20 season include returns to Seattle Symphony (Messiah), Colorado Symphony, Winter Park Bach Festival, Carmel Bach Festival, Tempesta di Mare, and the Dunedin Consort. She makes her debut with the San Antonio Symphony this fall performing Mozart’s Requiem. Other performances include those with Voices of Music, Washington Bach Consort, and a recital of early George Crumb Songs at the University of Pennsylvania.Her opera roles include Idamante in Idomeneo, Dorabella in Così fan tutte, Dido and the Sorceress in Purcell’s Dido and Aeneas, Dardano in Handel’s Amadigi, Amastre in Handel’s Serse, Speranza in Monteverdi’s L’Orfeo, Ippolita in Cavalli’s Elena, and Elpina in Vivaldi’s La Fida Ninfa.Ms. Bragle is an accomplished recording artist. In addition to those with the English Baroque Soloists, she has made several recordings with Apollo’s Fire: Mozart’s Requiem (Koch), Handel’s Dixit Dominus and Ode for the Birthday of Queen Anne (Avie), and Monteverdi’s Vespro della Beata Vergine (Avie), and L’Orfeo (Eclectra). Other recordings include Bach’s St. John Passion with Arion Baroque (ATMA Classique).  A new recording of Pergolesi’s Stabat Mater with the Winter Park Bach Festival is forthcoming. Ms. Bragle is based in Philadelphia where she is Artist in Residence at the University of Pennsylvania.