GLASS Suite from The Hours Movement II
GLASS “Orphée and the Princess” from Orphée
TAKANO “Walking” from Concerto for Flute and String Orchestra
VAUGHAN WILLIAMS “Romanza” from Concerto for Bass Tuba
GIYA KANCHELI: Valse Boston – Manitoba Chamber Orchestra
Marc-André Hamelin, piano
Conductor Anne Manson has served as Music Director of the Manitoba Chamber Orchestra since 2008 and recently renewed her contract through 2024. Manson’s strong commitment to contemporary music has led to numerous commissions and recordings with the MCO. Among them are Philip Glass’ Symphony No. 3 and Piano Concerto, and the Juno and Western Canada Music award nominated Troubadour & the Nightingale with soprano Isabel Bayrakdarian. Their latest release is Mirage? Concertos for Percussion with GRAMMY-winning percussionist Dame Evelyn Glennie.
Since 2006 Manson has taken the MCO on multiple U.S. and Canadian tours including Carnegie Hall, Boston’s Jordan Hall, the Chan Center (Vancouver), and both Roy Thompson Hall and the Glen Gould Stuiod in Toronto among many others. Throughout her tenure with MCO, she has worked with many of the world’s top soloists including Marc-André Hamelin, Jan Liesecki, Inon Barnatan, James Ehnes, Measha Brueggergosman, Isabel Bayrakdarian, Tracy Dahl, and Andriana Chuchman.
As a guest conductor, she has performed with the Los Angeles Philharmonic, Houston and Indianapolis Symphonies, the Residentie Orchestra of the Hague, the St. Paul Chamber Orchestra, London Philharmonic, the Royal Scottish National Orchestra, Bournemouth Sinfonietta, Orquesta de Extremadura, BBC Proms, Swedish Chamber Orchestra, and she has guest conducted regularly with many orchestras in Spain.
As a renowned conductor of opera, Manson has led at houses around the globe: San Francisco Opera (Così fan tutte), New York City Opera (Barber’s Vanessa), Grand Théâtre de Genève (Floyd’s Susanna), Royal Opera Stockholm (Donizetti Viva la mamma), Spoleto Festival (Janáček’s Kat’a Kabanova), Minnesota Opera (US premiere of Jonathan Dove’s The Adventures of Pinnochio, Donizetti’s Maria Stuarda, Puccini’s Tosca, Humperdinck’s Hänsel und Gretel), Portland Opera (Phillip Glass’ Orphée and Galileo Galilei—released on CD in 2013, Puccini’s Madama Butterfly), Virginia Opera (Bizet’s Les Pêcheurs de Perles, Offenbach’s Orphée aux enfers). At the Washington National Opera, Manson has conducted numerous works including Douglas Pew’s Penny, Barber’s Vanessa, Conrad Susa’s Dangerous Liasons, and Scott Wheeler’s Democracy and has served as a mentor for the American Opera Initiative commissions. She received Canada’s DORA Award for outstanding musical direction for her work with the Canadian Opera Company on Benjamin Britten’s A Midsummer Night’s Dream. At the Juilliard School, she has conducted Janáček’s The Cunning Little Vixen and Kat’a Kabanova, Offenbach’s Orphée aux enfers, Poulenc’s Dialogues des Carmélites, Ned Rorem’s Our Town, and the North American premiere of Peter Maxwell Davies’ Kommilitonen!.
In addition to recordings with Manitoba Chamber Orchestra and Portland Opera, Manson has recorded with the Residentie Orchestra of The Hague, the BBC Scottish Symphony, the Iceland Symphony, the Singapore Symphony, and the Swedish Chamber Orchestra.
Before serving as the MCO’s Music Director, Manson was Music Director of London’s Mecklenburgh Opera (1987-96) and the Kansas City Symphony (1999-2004). She was the first woman to conduct the Vienna Philharmonic at the Salzburg Festival in 1994 (Mussorgsky’s Boris Godunov).