Panthaki “handled high tessitura with ease” and Cooley’s “greasepaint sensibility”

Posted on May 14, 2019 in Reviews, Sherezade Panthaki, Thomas Cooley | No Comments
Panthaki “handled high tessitura with ease” and Cooley’s “greasepaint sensibility”

“Thomas Cooley brought the greasepaint sensibility most pungently in his animated ‘A thousand, thousand ways we’ll find’ with the chorus.

“Soprano Sherezade Panthaki handled the hushed dynamics and high tessitura of ‘See, even Night herself’ with ease…”

—Read more at Chicago Classical Review