Quigley and Seraphic Fire “shine in an evening of virtuosic Vivaldi”

“The chorus’ perfect intonation and pure tones in the Credo made the most of the unearthly descending harmonies of the crucifixion verse. Quigley’s conducting brought out the theatrical side of the music throughout the evening, with swelling crescendos, abrupt pianissimos and lots of rhythmic drive in the last verse, which tells of Christ’s resurrection.”