Panthaki “handled high tessitura with ease” and Cooley’s “greasepaint sensibility”

Soprano Sherezade Panthaki. Photo by David Fung

“Thomas Cooley brought the greasepaint sensibility most pungently in his animated ‘A thousand, thousand ways we’ll find’ with the chorus.

“Soprano Sherezade Panthaki handled the hushed dynamics and high tessitura of ‘See, even Night herself’ with ease…”