Nola Richardson "a Voice for Which Handel Might Have Designed the Music"

 
 

Reviewing a performance of Handel's Samson with the Oratorio Society of New York at Carnegie Hall, Parterre Box had high praise for soprano Nola Richardson: "Dalila—and several minor figures such as the Israelitish Woman—was sung by Nola Richardson in a voice for which Handel might have designed the music. She possesses clarity and a bell-like beauty, and when called for, expanded her sound subtly to fill the enormous room. She gave such pleasure we hoped Samson would forgive her. And we were thrilled when she returned at the evening’s conclusion to sing “Let the Bright Seraphim." Read the full review below. 

Nick Hart

I am a web developer and software engineer from the San Francisco Bay Area, with a background working in the entertainment industry as an SEO specialist/social media marketer. I studied full stack web development at UC Berkeley, and I am equally experienced working for small businesses, non-profits, and large corporations. 

Previous
Previous

Radio Drei Praises "a New, Fresh View on Rossini of the Young Generation"

Next
Next

Early Reviews are a Rave for Jakob Lehmann's New recording of Rossini's L'Italiana in Algeri