Hadleigh Adams is “powerful, nimble, and warmhearted” as Handel’s Apollo

Hadleigh Adams
Written By Carrie Sykes

Detail from Bernini’s sculpture Apollo and Daphne (1622–1625) | Credit: Fabrizio Garrisi

Stepping in last minute for four performances of Handel’s Apollo and Daphne with American Bach Soloists, Hadleigh Adams was warmly received in Nicholas Jones’ review in San Francisco Classical Voice.

Carrie Sykes
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