Douglas Ray Williams Gives a “Commanding” Performance in Latest BEMF Performance

 
 

Douglas Williams, singing with a warm bass, was a commanding Nero despite the character’s lovesick inanities,” wrote critic Paul Hyde in his new review of Boston Early Music Festival’s recent performance of Richard Keiser’s Octavia. Click the link below to read the full review of the festival now.

Nick Hart

I am a web developer and software engineer from the San Francisco Bay Area, with a background working in the entertainment industry as an SEO specialist/social media marketer. I studied full stack web development at UC Berkeley, and I am equally experienced working for small businesses, non-profits, and large corporations. 

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Jakob Lehmann’s Conducting is “Revelatory” in Teatro Nuovo’s ‘Macbeth’

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Parthenia Viol Consort Previews New Stream of “Les Amours de Mai” Featuring Sherezade Panthaki