“Douglas Williams, singing with a warm bass, was a commanding Nero despite the character’s lovesick inanities,” wrote critic Paul Hyde in his new review of Boston Early Music Festival’s recent performance of Richard Keiser’s Octavia. Click the link below to read the full review of the festival now.
Douglas Ray Williams Gives a “Commanding” Performance in Latest BEMF Performance
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Mary Phillips Embodies “Restraint and Command” In Reimagined ‘Vanessa’
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