Douglas Ray Williams’ “Precise Physicality and Supple Vocalism” On Display in “Knockout” Octavia

 

Image via Kathy Wittman for Bachtrack

 

After appearing in some behind-the-scenes footage for Boston Early Music Festival’s rehearsals of their production of Reinhard Keiser’s Octavia, bass-baritone Douglas Ray Williams is being praised for his role in the premiere of the German opera. “From the outset, bass-baritone Douglas Ray Williams had used a precise physicality and supple vocalism to limn his Nero", wrote Kevin Wells in his review for Bachtrack. Click the link below to read the full review now.

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Nick Hart

I am a web developer and software engineer from the San Francisco Bay Area, with a background working in the entertainment industry as an SEO specialist/social media marketer. I studied full stack web development at UC Berkeley, and I am equally experienced working for small businesses, non-profits, and large corporations. 

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