Douglas Ray Williams’ “Precise Physicality and Supple Vocalism” On Display in “Knockout” Octavia

Douglas Ray WilliamsDouglas Williams
Written By Nick Hart
 

Image via Kathy Wittman for Bachtrack

 

After appearing in some behind-the-scenes footage for Boston Early Music Festival’s rehearsals of their production of Reinhard Keiser’s Octavia, bass-baritone Douglas Ray Williams is being praised for his role in the premiere of the German opera. “From the outset, bass-baritone Douglas Ray Williams had used a precise physicality and supple vocalism to limn his Nero", wrote Kevin Wells in his review for Bachtrack. Click the link below to read the full review now.

Nick Hart

I am a web developer and software engineer from the San Francisco Bay Area, with a background working in the entertainment industry as an SEO specialist/social media marketer. I studied full stack web development at UC Berkeley, and I am equally experienced working for small businesses, non-profits, and large corporations. 

Previous

Julian Perkins Leads Portland Baroque Orchestra In Special Vivaldi Tribute
Next

Hadleigh Adams’ Shows Off His “Charming” Stage Presence in ‘La bohème”