Nola Richardson Is a “Riveting” Stage Presence in ‘Hildegard’ at Prototype Festival

“Nola Richardson created a Hildegard who was simultaneously mystical, devout and petulant,” according to a new review of the New York debut of Sarah Kirkland Snider’s opera Hildegard, which recently featured as part of the Prototype Festival. Reviewer Rick Perdian from Seen and Heard International praised Richardson’s “riveting” stage presence as well as the chemistry she shared with mezzo-soprano and co-star Mikaela Bennett. Click the link below to read the full review now.