This fall, Juilliard415 and Juilliard singers are presenting two programs of cantatas that explore the results of this sojurn. Collectively called Handel in Rome, the concerts are Aminta e Fillide at the Morgan Library and Museum (November 19) and Clori, Tirsi e Fileno at Alice Tully Hall (December 1). Both evenings also celebrate the two […]
“William Berger was a standout as a Pilate at first smug but increasingly compassionate and finally flummoxed by a mob’s virulence. Not only that, but he could quickly cast off his character to lend a velvet touch to one of the arias that asked listeners to reflect upon the story’s lessons.” – Read more at […]
“The University of Toronto’s Schola Cantorum joined by members of the Choir of the Theatre of Early Music, all under the direction of Daniel Taylor, send the music heavenwards, Ainsworth’s bright, coloratura in the lead. The effect is utterly mesmerizing.” — Read more at Opera Going Toronto.
On Saturday night at Powell Symphony Hall, the St. Louis Symphony Chorus and Orchestra gave a superb performance of “The Creation,” with a trio of fine soloists, a well-trained chorus, and the orchestra nailing its part, all under the inspired direction of Nicholas McGegan…American bass-baritone Douglas Williams’ angel Raphael set the tone; his big, dark […]
“From the softest whisper to her high C at the opening of the castle’s fifth door, and in Bartók’s deliberate mismatch between Judith’s initial optimism and the dark oppression of the orchestra, Murrihy thrills with her voice while fully inhabiting her symbolic assignment with her presence.” — Read more at The Irish Times.
“McGegan led his forces with a combination of fleet phrasing — his longtime interpretive stock-in-trade — and a certain respectful calm that seemed entirely appropriate to the repertoire.” — Read more at datebook.sfchronicle.com
Among elected to the RSC’s distinguished ranks are School of Music professor Benjamin Butterfield, one of Canada’s finest tenors…While Butterfield has won international plaudits as one of Canada’s best operatic tenors, he is equally passionate about his role as head of voice for UVic’s School of Music. “With a performance career, the more you’re in […]