“…what Laurence Cummings produces each year with this band of period specialists – drawn from ensembles such as Les Arts Florissants and the Akademie für Alte Musik Berlin – is something quite unique and wonderful. It’s a sound of zing, spring, heat and finesse; light-textured yet intense; multicoloured and with bristling timbres leaping so vividly […]
“The singers are all excellent, and there’s a sense of ensemble that can’t be heard in some earlier recordings with bigger names. Rose conducts with a pace and wit that remind me of a great Gilbert & Sullivan production.” — Read more at stereophile.com.
“aniel Taylor is one of the most recognizable names in classical music. Known for his pure and powerful voice, the countertenor has found acclaim on all corners of the globe. His career, spanning several decades, is documented in more than 100 recordings. Born and raised in Ottawa, he now resides in Toronto, where he serves […]
“In this performance, that voice belongs to tenor Marc Molomot, whose intrepid singing of the Hauptmann’s angular, awkwardly high-lying music is one of this Wozzeck’s greatest strengths. Precisely what motivates the Hauptmann’s idiosyncratic actions is one of Büchner’s and Berg’s gnawing enigmas, but Molomot, ever a shrewd artist with an uncanny ability to topple façades […]
“This recording is a fine example why I have come to love the work of Gil Rose and his Boston Modern Orchestra Project…All BMOP recordings (even those on other labels) are consistently of the highest quality and the performances are definitive. This series now on the orchestra’s own label is rapidly becoming a sort of […]
Daniel Taylor Taylor’s CD, “Four Thousand Winter” has been nominated for a 2017 JUNO in the category of “Classical Album of the Year: Vocal or Choral.” For more information on the 2017 JUNO Awards and 2017 nominations, please visit www.junoawards.ca.
“It was meant to be nasty inside as well. The O’Neill (formerly the Center Theater) had been turned into Club Fairy Queen in “sultry Las Vegas,” and on offer was “A Midsummer Night’s Dream” package….It is Puck who undergoes the most touching transformation. Moreover, the example of a brilliantly Falstaffian performance by French tenor Marc […]
“As Daewood, the fervently expressive baritone Michael Kelly brings us into the shelter, aghast at the horrors he has witnessed outside and unsure if he should write about them. Later, when he finds his voice through music, he bursts with exuberant artistic inspiration.” – Read more at operanews.com.
“After the brilliant success of his previous album Four Thousand Winter, Canadian countertenor Daniel Taylor returns to offer us a Christmas season with the voices of his superb Trinity Choir… the Trinity Choir brings together the finest flowering of the most beautiful chorister voices…” —Read more at the Montreal Gazette.