McGegan’s “powerful opening week to start Aspen Music Festival”

Posted on Jul 9, 2019 in Artist News, Nicholas McGegan, Reviews | No Comments
McGegan’s “powerful opening week to start Aspen Music Festival”

“The Vivaldi was in McGegan’s wheelhouse. He recently completed a long tenure with the Philharmonia Baroque Orchestra, and although the orchestra’s role in this concerto mostly supports the soloists with springy rhythms and appropriate harmonies, he laid the foundation for brilliant playing from Hungarian trumpet virtuoso Tamás Pálfalvi and the Atlanta Symphony’s principal trumpet Stuart […]

“Bach given uplifting treatment” by McGegan, Bragle, & Panthaki

“Bach given uplifting treatment” by McGegan, Bragle, & Panthaki

“McGegan is a jolly man who clearly loves his work and engages with the performers and audience with utmost geniality. It is impossible not be drawn into the general air of ‘isn’t this all fun?’ that radiates from face, his demeanour, and his conducting. This very ‘up’ view of life spilled over into the music […]

LA Times: “Handel’s ‘Saul,’ not the ‘Messiah,’ with Nicholas McGegan in his element”

Posted on Apr 11, 2019 in Nicholas McGegan, Reviews | No Comments
LA Times: “Handel’s ‘Saul,’ not the ‘Messiah,’ with Nicholas McGegan in his element”

“Four years after “Saul,” Handel and the same librettist, Charles Jennens, would go on to produce that first true, most famous and still most lasting of all oratorios, meant for Easter (even if appropriated by Christmas). Instead Nicholas McGegan, the longtime music director of the Berkeley-based period instrument ensemble and as fine a “Messiah” master […]

Handel’s ‘Saul’ gets “heroic treatment” by McGegan, Van Doren & Panthaki

Handel’s ‘Saul’ gets “heroic treatment” by McGegan, Van Doren & Panthaki

“Saturday’s performance, which repeats Friday in San Francisco and Saturday in Palo Alto to close Philharmonia’s 38th season, found McGegan and ensemble in top form, powering through the two hour, 50-minute score with brisk, unflagging energy…Robust bass-baritone Daniel Okulitch thundered appropriately, relishing every moments of Saul’s badness, and sopranos Sherezade Panthaki (Michal) and Yulia Van […]

McGegan, Van Doren, and Panthaki in an “expansive” Saul

McGegan, Van Doren, and Panthaki in an “expansive” Saul

“McGegan’s leadership brought out the score’s color and vibrancy. Not even the peevish Saul himself could have begrudged the performers their success…Soprano Sherezade Panthaki brought her trademark clarity and tonal sensuality to the role of Michal…Yulia Van Doren (Merab) and tenor Aaron Sheehan (Jonathan) acquitted themselves handsomel” -Read more at SF Datebook.

Gramophone: Bringing a lost concerto back to life

Posted on Mar 29, 2019 in Nicholas McGegan, Recording | No Comments
Gramophone: Bringing a lost concerto back to life

“Nicholas McGegan was a joy to work with and the SCO performed with such brio. When I listen to the disc now, it reminds me vividly of the warmth and dynamism of the sessions. Promoters still seem reluctant to programme Mysliveček, but I hope that as he becomes better known this will change. I, at […]

McGegan’s “demurely lush reading”

Posted on Mar 20, 2019 in Nicholas McGegan, Reviews | No Comments
McGegan’s “demurely lush reading”

“The Pärt portion of the evening began with the orchestral Summa, an ideal invitation to this soulful artist’s universe of meditative calm. The gradual ebb and flow of a single oscillating string figure took on the gravitational pull of an ocean tide in McGegan’s sensitive, demurely lush reading.” -Read more at sfvc.org. 

McGegan and PBO are ” eloquent and theatrically savvy”

Posted on Mar 7, 2019 in Nicholas McGegan, Reviews | No Comments
McGegan and PBO are ” eloquent and theatrically savvy”

“Most of the program, though, was devoted to music of the Baroque, including an all-Handel first half that came as the latest reminder of how eloquent and theatrically savvy McGegan and the orchestra are in this music. (It also served as a persuasive teaser for the season-ending performances of Handel’s oratorio “Saul” on April 6-13.) […]

McGegan and Philharmonia Baroque Orchestra at the Granada

Posted on Feb 11, 2019 in Nicholas McGegan, Reviews | No Comments
McGegan and Philharmonia Baroque Orchestra at the Granada

“Under McGegan’s baton, the orchestra achieved full parity with the soloist, a challenge given baroque period performance priorities…The Schubert symphony sparkled with post-Beethovenian ingenuity of the first rank.” – Read more at The Santa Barbara Independent .

Concert Hour: McGegan and Gil Shaham, May 2018 at Schwetzingen Palace

Posted on Feb 7, 2019 in Broadcasts, Nicholas McGegan, Recording | No Comments
Concert Hour: McGegan and Gil Shaham, May 2018 at Schwetzingen Palace

“Our performance is led by Nicholas McGegan. And how does he describe the symphony we’re about to hear, written by Wolfgang Amadeus Mozart when he was all of nine years old? “Of course it’s in the Italian style,” says McGegan, “but you can really hear Mozart in it, the young Mozart. It couldn’t have been […]