Krull and Tempesta di Mare present “Autumnal flair and scare”

Posted on Nov 3, 2016 in Marguerite Krull, Reviews | No Comments
Krull and Tempesta di Mare present “Autumnal flair and scare”

“Marguerite Krull, fulfilled all the expectations evoked by a bio that includes a global roster of early-music appearances. Krull and the Tempesta di Mare musicians produced an unbroken intensity that turned Medea’s rage into a non-stop 18th-century ride of the Valkyries.” — Read more at Broad Street Review.

New York Times Review: Krull and Jurenas with Opera Lafayette

Posted on Dec 2, 2015 in Eric Jurenas, Marguerite Krull, Reviews | No Comments
New York Times Review: Krull and Jurenas with Opera Lafayette

“Marguerite Krull was effective in the thankless trouser role of Arbace, Marzia’s would-be lover. (Don’t you hate it when a Caesar gets in your way?) Eric Jurenas, another powerful and pliant countertenor, sang Fulvio, Caesar’s aide.” – Read more at nytimes.com.

Krull and Jurenas in ‘Catone and Utica’ at the Kennedy Center

Posted on Dec 1, 2015 in Eric Jurenas, Marguerite Krull, Reviews | No Comments
Krull and Jurenas in ‘Catone and Utica’ at the Kennedy Center

“Eric Jurenas returned as Fulvio with an even stronger voice and more beautiful tone…His voice was smooth, his stage presence poised, and his acting some of the most focused in the evening…Krull made a sympathetic Arbace and brought a beautiful warm sound to the pants role.” – Read more at dctheatrescene.com

Krull and Jurenas: “the greats have come out to sing” (DC Metro Theater Arts)

Posted on Nov 29, 2015 in Eric Jurenas, Marguerite Krull | No Comments
Krull and Jurenas: “the greats have come out to sing” (DC Metro Theater Arts)

“Eric Jurenas and Marguerite Krull round out this wonderful ensemble of six. As Fluvio, Jurenas captures the character’s somewhat ambiguous loyalty to Caesar, while Krull gives Arbace and his relentless pursuit of Marzia’s hand in marriage a vivid, light-hearted touch.” – Read more at dcmetrotheaterarts.com

LA Times: Panthaki, Williams, & Krull sing Purcell

LA Times: Panthaki, Williams, & Krull sing Purcell

“When everyone joined together — musicians, singers, dancers — it proved, yet again, that you didn’t need a movie screen to make a blockbuster.” – Read more

Marguerite Krull: Handel’s Alceste Seen and Heard International review

Posted on Mar 23, 2014 in Marguerite Krull, Reviews | No Comments
Marguerite Krull: Handel’s Alceste Seen and Heard International review

“Marguerite Krull was superb as the goddess Calliope, handling the long melismas with grace and ease.” Read more here.

Marguerite Krull: Handel’s Alceste blog review

Posted on Mar 21, 2014 in Marguerite Krull, Reviews | No Comments
Marguerite Krull: Handel’s Alceste blog review

“The vocal cast was very strong, led by Ms. Krull as Calliope…[She] performed adroitly, with rich tone and an impressive display of ornamentation in the da capo section of her arias.” Read more here.

Marguerite Krull: Handel’s Alceste New York Times review

Posted on Mar 21, 2014 in Marguerite Krull, Reviews | No Comments
Marguerite Krull: Handel’s Alceste New York Times review

“The air for soprano “Gentle Morpheus, son of night,” with its lulling string accompaniment underneath a melody that dips and rises peacefully, is among the most beautiful Handel wrote. The soprano Marguerite Krull gave it a clean and fluent rendition.” Read more here.

Marguerite Krull: Handel’s Alceste Examiner.com review

Posted on Mar 20, 2014 in Marguerite Krull, Reviews | No Comments
Marguerite Krull: Handel’s Alceste Examiner.com review

“Krull’s music contains the score’s most stunning aria, “Gentle Morpheus, son of night.” The naturalness with which she dispatched roulades, drawing no attention to herself yet riveting everyone’s attention on the unfolding drama, gave the impression she has inhabited these arias before. Loveliest moment: four descending trills on the words “balmy dew of sleep.” Read […]

Marguerite Krull: Handel’s Alceste review

Posted on Mar 20, 2014 in Marguerite Krull, Reviews | No Comments
Marguerite Krull: Handel’s Alceste review

“Krull’s middle voice was radiant and lush; this was particularly apparent during her wonderful aria “Gentle Morpheus, son of night” where she sang with gentle legato lines. Her coloratura in the second aria “Come, Fancy, empress of the brain” featured solid coloratura passagework that was filled with nuance.” Read more here.