Gil Rose conducted the NYCO orchestra, which included the addition of the harpsichord for the Rameau recitatives, with a precision and pacing that was perfect for the music. — Matt Costello, OperaWire Photo: Sarah Shatz
“Mr. Rose led the orchestra through the aggressive opening gestures with ferocity, juxtaposing the more lyrical wind solos and microtonal melodic fragments with an ear for contrast.” — Read more at Pittsburgh Post-Gazette.
“Gil Rose conducted a performance that increased in authority and excitement as it progressed. He certainly understands the nuance of bel canto, and he knows how to support the voices. I am also glad that he knows this beautiful opera and has brought it to the people of Boston.” — Read more at The Donizetti […]
“In Odyssey Opera’s Thursday performance of Domenico Gaetano Donizetti’s rarely mounted L’assedio di Calais (The Siege of Calais), Gil Rose led the assorted forces with his accustomed clarity and assurance. Strong on all fronts that matter, from set design, stage direction, costumes, singers, and orchestra, the show delighted from beginning to end. Anyone with a […]
“…a triumph of stamina and execution…the orchestra as a whole played with far more confidence and conviction than you’d expect for a one-off performance of a rare and challenging score. At the end of the night, the crowd’s ovation was robust, appreciative — and well-deserved.” — Read more at The Boston Globe.
“The Boston Modern Orchestra Project offers three works by a composer devoted to complex, high-density, post-tonal writing…Gil Rose, the orchestra’s founding artistic director, both conducts and produces the recordings, which sound consistently superb.” — Read more at The Wall Street Journal.
“The singers are all excellent, and there’s a sense of ensemble that can’t be heard in some earlier recordings with bigger names. Rose conducts with a pace and wit that remind me of a great Gilbert & Sullivan production.” — Read more at stereophile.com.
“Gil Rose led an orchestra of 27, responsive to the high energy happenings on the stage and sounding larger than its numbers in the 890-seat Huntington Avenue Theater…A brilliant production as fun and infectious as this could have easily played for a month instead of just twice…” — Read more at bachtrack.com.
“Gil Rose’s range as organizer and conductor of Odyssey Opera (as well, as of the Boston Modern Orchestra Project) is so well known that it hardly needs reporting here, except to say that once again he has chosen musicians of exceptional quality for the stage, as well as a first-rate orchestra of modest size…to play […]