“Four accomplished soloists performing Saturday were soprano Kathryn Muller, mezzo soprano Mikki Sodergren, tenor Oliver Mercer and baritone John Brancy. Mueller appeared with the JSO in its performance of Beethoven’s 9th Symphony. She was particularly memorable in the air “I know my Redeemer liveth,” a haunting passage with close support of solo violin, harpsichord, a […]
“Countertenor Eric Jurenas gave riveting and versatile interpretations throughout in his Boston debut. From his first recitative at “Behold, a virgin shall conceive,” to his last “O death, where is thy sting,” his clarion voice and sensitive phrasing stood out and buoyed the dramatic texts.” – Read more at The Boston Musical Intelligencer.
“Quigley gave the work an infectious momentum, and the three vocal soloists – soprano Margot Rood, tenor Steven Soph and bass Steven Eddy – wove their overlapping vocal lines dexterously.” – Read more at SF Chronicle Datebook
“…the communication between Halls and his forces never flagged. “Messiah” is a long work, but this performance never dragged…Berger, making his SLSO debut, was a particular standout. His is a rich, well-produced voice, and he sings with feeling and understanding.” – Read more at St. Louis Post Dispatch
“Most impressive was tenor Thomas Cooley’s Evangelist, delivering secco recitatives with alert vibrancy and lyrical arias with ringing tone and dramatic urgency. He was riveting in the tortuous aria “Ich will nur dir zu Ehren leben”…Yulia Van Doren’s warm, focused soprano was used to charming effect in the “Echo aria” (“Flosst, mein Heiland, flosst dein […]
“Nicholas McGegan brought a spark to the podium that was most welcome…The orchestra, too, was a spirited, unified presence, and McGegan’s guidance from the harpsichord was light and flexible. In short, it was a lithe, poetic, and invigorating account, a musical year to remember.” – Read more at The Cleveland Plain Dealer.
“At 7:30 p.m. on Saturday Nov. 17 in Sprague Memorial Hall, Yale Voxtet will perform 18th century composer Alessandro Scarlatti’s interpretation of the Cain and Abel story — his oratorio “Il Primo Omicidio.” Guest conductor Nicholas McGegan, the music director of Philharmonia Baroque Orchestra & Chorale, will lead Saturday’s performance…’I think one of the strengths […]
This fall, Juilliard415 and Juilliard singers are presenting two programs of cantatas that explore the results of this sojurn. Collectively called Handel in Rome, the concerts are Aminta e Fillide at the Morgan Library and Museum (November 19) and Clori, Tirsi e Fileno at Alice Tully Hall (December 1). Both evenings also celebrate the two […]