Photo credit Dario Acosta.

Photo: Dario Acosta


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GLASS Suite from The Hours Movement II


GLASS “Orphée and the Princess” from Orphée

TAKANO “Walking” from Concerto for Flute and String Orchestra

VAUGHAN WILLIAMS “Romanza” from Concerto for Bass Tuba


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GIYA KANCHELI: Valse Boston – Manitoba Chamber Orchestra
Marc-André Hamelin, piano


MOZART: Symphony No. 40 – Manitoba Chamber Orchestra

GOODYEAR Eclipse

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Conductor Anne Manson has served as Music Director of the Manitoba Chamber Orchestra since 2008 and recently renewed her contract through 2020. Manson’s strong commitment to contemporary music has led to numerous commissions and recordings with the MCO. Among them are Philip Glass’ Symphony No. 3 and Piano Concerto, and the Juno and Western Canada Music award nominated Troubadour & the Nightingale with soprano Isabel Bayrakdarian. A recording of Baroque concerti with percussionist Evelyn Glennie and the MCO will be released in fall 2017.

For MCO’s 2017/18 season, Manson conducts the Canadian premiere of a new work by Philip Glass, performed by pianist Simone Dinnerstein. Other season highlights include Mahler’s Leider eines Fahrenden Gessellen with soprano Measha Brueggergosman; the return of solo recorder player Lucie Horsch; a duos and arias concert with sopranos Tracy Dahl and Adriana Chuchman; and Haydn, Oesterle, and Mozart with cellist Ariel Barnes.

As a guest conductor, she has performed with the Los Angeles Philharmonic, Houston and Indianapolis Symphonies, the Residentie Orchestra of the Hague, the St. Paul Chamber Orchestra, London Philharmonic, the Royal Scottish National Orchestra, Bournemouth Sinfonietta, Orquesta de Extremadura, BBC Proms, and she has guest conducted regularly with many orchestras in Spain. In fall of 2017, Manson returns to the Swedish Chamber Orchestra to conduct Mozart, Bartok, and a commission by Tebogo Monnakgotla.

As a renowned conductor of opera, Manson has led at houses around the globe: San Francisco Opera (Così fan tutte), New York City Opera (Barber’s Vanessa), Grand Théâtre de Genève (Floyd’s Susanna), Royal Opera Stockholm (Donizetti Viva la mamma), Spoleto Festival (Janáček’s Kat’a Kabanova), Minnesota Opera (US premiere of Jonathan Dove’s The Adventures of Pinnochio, Donizetti’s Maria Stuarda, Puccini’s Tosca, Humperdinck’s Hänsel und Gretel), Portland Opera (Phillip Glass’ Orphée and Galileo Galilei—released on CD in 2013, Puccini’s Madama Butterfly), Virginia Opera (Bizet’s Les Pêcheurs de Perles, Offenbach’s Orphée aux enfers). At the Washington National Opera, Manson has conducted numerous works including Douglas Pew’s Penny, Barber’s Vanessa, Conrad Susa’s Dangerous Liasons, and Scott Wheeler’s Democracy and has served as a mentor for the American Opera Initiative commissions. She received Canada’s DORA Award for outstanding musical direction for her work with the Canadian Opera Company on Benjamin Britten’s A Midsummer Night’s Dream. At the Juilliard School, she has conducted Janáček’s The Cunning Little Vixen and Kat’a Kabanova, Offenbach’s Orphée aux enfers, Poulenc’s Dialogues des Carmélites, Ned Rorem’s Our Town, and the North American premiere of Peter Maxwell Davies’ Kommilitonen!.

In addition to recordings with Manitoba Chamber Orchestra and Portland Opera, Manson has recorded with the Residentie Orchestra of The Hague, the BBC Scottish Symphony, the Iceland Symphony, the Singapore Symphony, and the Swedish Chamber orchestra.

Before serving as the MCO’s Music Director, Manson was Music Director of London’s Mecklenburgh Opera (1987-96) and the Kansas City Symphony (1999-2004). She was the first woman to conduct the Vienna Philharmonic at the Salzburg Festival in 1994 (Mussorgsky’s Boris Godunov).