Adams’ “fearless” performance with West Edge Opera

Posted on Aug 12, 2018 in Hadleigh Adams, Reviews | No Comments
Adams’ “fearless” performance with West Edge Opera

“In the end, though, much of the production’s success rests on the fearless, steely and musically alert performances of Buck and Adams. Both of them are well known locally as artists who never shy away from a challenge, but their contributions here — which combine imperious technical panache and a lingering air of vulnerability — […]

McGegan and Susan Graham close out Caramoor Summer 2018

Posted on Aug 4, 2018 in Nicholas McGegan, Reviews | No Comments
McGegan and Susan Graham close out Caramoor Summer 2018

“Caramoor ended its summer festival with a special treat for opera lovers, a concert with Susan Graham, accompanied by the always-fabulous Orchestra of St. Luke’s, led by Nicholas McGegan. Once again, the weather on the leafy estate of Caramoor, with its sumptuous gardens and grounds, was a perfect match to the delightful and intriguing program.” […]

SF Classical Voice: “Philharmonia Baroque Go for Glory”

Posted on Jul 17, 2018 in News, Nicholas McGegan, Recording, Reviews | No Comments
SF Classical Voice: “Philharmonia Baroque Go for Glory”

“The orchestra, stretched to 40 players (triple winds plus extra percussion and a musette [bagpipe]), captures all the rapidly shifting moods brilliantly. There are tons of short, contrasting movements, the essence of this court entertainment, and Music Director Nicholas McGegan puts the orchestra through its paces, thoroughly characterizing each one.” — Read more at San […]

“Opulent-voiced mezzo Mary Phillips”

Posted on Jul 14, 2018 in Artist News, News, Reviews | No Comments
“Opulent-voiced mezzo Mary Phillips”

“Opulent-voiced mezzo Mary Phillips was dominant and domineering as Wotan’s beleaguered wife Fricka” — Read more at Pittsburgh Post-Gazette.

Dobson’s “warm and powerful baritone”

Posted on Jul 7, 2018 in Alexander Dobson, Artist News, News, Reviews | No Comments
Dobson’s “warm and powerful baritone”

“Following Intermission, Alexander Dobson’s warm and powerful baritone voice filled the barn with the despair of a man who has been rejected by the one to whom he has confessed his love and longing. Schumann’s Dichterliebe, Op. 48, a cycle of sixteen songs, is the epitome of German Romanticism. No one can express despair better […]

KC Star: “For summertime listening, it doesn’t get any better.”

Posted on Jun 25, 2018 in Artist News, News, Nicholas McGegan, Recording, Reviews | No Comments
KC Star: “For summertime listening, it doesn’t get any better.”

“Nicholas McGegan and the Philharmonia Baroque Orchestra and Chorale have just released a recording of an opera that is a perfect example of Rameau’s genius. “Le Temple de la Gloire” (“The Temple of Glory”) was first performed in 1745 at Versailles to celebrate the French victory at the Battle of Fontenoy and features a libretto […]

Labelle is “remarkable and memorable” with Aston Magna

Posted on Jun 23, 2018 in Artist News, Dominique Labelle, Reviews | No Comments
Labelle is “remarkable and memorable” with Aston Magna

“After intermission, it was all G.F. Handel sung by soprano Dominique Labelle who teaches voice at McGill University in Canada. She sang two Handel Arias, HMV 204-5 and a long Bach Cantata, BWV 82, which provided a rich meditation on death. Labelle expertly caught the joy beyond resignation that the music yearns for in a […]

“Review: Minnesota Opera’s ‘Fellow Travelers’ sings of love in a time of fear”

Posted on Jun 17, 2018 in Artist News, Hadleigh Adams, News, Reviews | No Comments
“Review: Minnesota Opera’s ‘Fellow Travelers’ sings of love in a time of fear”

“Hadleigh Adams not only matches Acosta in charm and vocal power and purity, but makes Hawk a bracing shot of bourbon to Tim’s fortifying milk” — Read more at TwinCities.com Photo: Dan Norman

Moore’s “sumptuous mezzo voice and dramatic skills”

Posted on May 28, 2018 in Diana Moore, Reviews | No Comments
Moore’s “sumptuous mezzo voice and dramatic skills”

“It was a pleasure to encounter Diana Moore again at Göttingen, bringing her sumptuous mezzo voice and dramatic skills to the role of Hercules. For the first half of the piece she had only to sit looking god-like, but also responding to the different arguments – obviously, no easy choice. “Yet, can I hear that […]

McGegan’s “breathtaking command”

Posted on May 9, 2018 in Artist News, Nicholas McGegan, Reviews | No Comments
McGegan’s “breathtaking command”

“It was the Rossini that received the evening’s finest performance. With a reduced-in-size ensemble onstage, McGegan elicited playing that was characterized by transparent textures, fleet tempi, bracing rhythms and expertly modulated dynamics to capture the opera’s glittering rendering of the Cinderella fairytale. His command over the legendary “Rossini crescendo” was breathtaking.” — Read more at […]