“Irish mezzo-soprano Paula Murrihy made a memorable Boston Baroque debut, with a dolefully entrancing “He was despised.” Her vowels were tall, her lines cleanly sculpted, and her timbre refreshingly earthbound.” — Read more at The Boston Globe.
“When the baritone Hadleigh Adams made his entrance, with a stern, declamatory and fortissimo “Thus saith the Lord,” a couple audience members visibly jumped in their seats. After the mellow, fluid tones of the tenor, these words came as a game changer, intense and operatic. He gave a stirring account of the slow crescendo of […]
“The baritone Hadleigh Adams delivered a comic tour de force as General Lansing, who becomes unhinged as he extolls a Trumpian “wall of defense” that is supposed to keep aliens at bay. Gosfield gives him a full-on mad scene, with deranged atonal coloratura.” — Read more at The New Yorker.
“Sherezade Panthaki, a newcomer for the festival we hope to hear here again soon, sang the aria with a full palette of tonal color and expert interpretive skills. In the da capo repeat of the first theme, Panthaki mined the passion inherent in the aria for all it was worth.” — Read more at Berkshire […]
“McGegan is always fun to watch as he dances about the podium, and his expressiveness set the tone for the entire concert…First came two arias from Vivaldi’s first opera, composed in 1713, “Ottone in villa.” “Gelosia, tu già rendi l’alma mia” is a showy piece; it was sung brilliantly by soprano Sherezade Panthaki.” — Read […]
“The vocal soloists — soprano Alisa Jordheim, tenor Benjamin Butterfield, bass-baritone Michael Dean and, especially, the lustrous-toned mezzo Diana Moore — sang vividly.” — Read more at The Baltimore Sun.
“His expertise in the early Classical period radiated through a performance marked by sharp dynamic contrast, tapered phrasing, and keen attention to detail. To the extent that it’s possible to enliven and spruce up Mozart’s music, McGegan did so. The Finale was a pure Classical thrill ride. Repeatedly, in a movement marked Presto, McGegan rallied […]
“Dinur, the orchestra, the Milwaukee Symphony Chorus, and sopranos Sherezade Panthaki and Yulia Van Doren, countertenor Daniel Taylor, tenor Dominic Armstrong and baritone Alexander Dobson captured the individual character of each of the brief movements, knitting them into a compelling musical whole. The vocal soloists gave musically rich, soaring performances of their solo movements…” — […]