“The vocal soloists — soprano Alisa Jordheim, tenor Benjamin Butterfield, bass-baritone Michael Dean and, especially, the lustrous-toned mezzo Diana Moore — sang vividly.” — Read more at The Baltimore Sun.
“Coming on the recent heels of winning the equivalent of a European Grammy known as the ECHO Klassik Award, the Houston Symphony has now earned a nomination for an American Grammy. It’s in the category of Best Opera Recording, and it’s for their recording of Alban Berg’s Wozzeck, the title referring to the tragic main […]
“His expertise in the early Classical period radiated through a performance marked by sharp dynamic contrast, tapered phrasing, and keen attention to detail. To the extent that it’s possible to enliven and spruce up Mozart’s music, McGegan did so. The Finale was a pure Classical thrill ride. Repeatedly, in a movement marked Presto, McGegan rallied […]
“Dinur, the orchestra, the Milwaukee Symphony Chorus, and sopranos Sherezade Panthaki and Yulia Van Doren, countertenor Daniel Taylor, tenor Dominic Armstrong and baritone Alexander Dobson captured the individual character of each of the brief movements, knitting them into a compelling musical whole. The vocal soloists gave musically rich, soaring performances of their solo movements…” — […]
“Gil Rose conducted a performance that increased in authority and excitement as it progressed. He certainly understands the nuance of bel canto, and he knows how to support the voices. I am also glad that he knows this beautiful opera and has brought it to the people of Boston.” — Read more at The Donizetti […]
“Conductor Laurence Cummings kept order effectively with occasional – and audible – leaps and histrionic gestures. Soloists Mary Bevan (soprano), Anthony Gregory (tenor) and Henry Waddington (Bass) were resplendent in the sustained and demanding arias and recitatives with which Haydn showed the way for all composers after him.” — Read more at The Huddersfield Daily […]
“In Odyssey Opera’s Thursday performance of Domenico Gaetano Donizetti’s rarely mounted L’assedio di Calais (The Siege of Calais), Gil Rose led the assorted forces with his accustomed clarity and assurance. Strong on all fronts that matter, from set design, stage direction, costumes, singers, and orchestra, the show delighted from beginning to end. Anyone with a […]