“Hadleigh Adams not only matches Acosta in charm and vocal power and purity, but makes Hawk a bracing shot of bourbon to Tim’s fortifying milk” — Read more at TwinCities.com Photo: Dan Norman
“The Music Department is delighted to announce the appointment of distinguished mezzo-soprano Meg Bragle as Resident Artist and Director of Vocal Studies. Ms. Bragle will direct Penn’s Opera Scenes and the new Collegium Musicum. She will also lead masterclasses, offer coachings, perform recitals, and visit classes.” — Read more at upenn.edu.
“Sherezade Panthaki’s voice is perfectly suited to Bach. It is lush, sumptuous, and technically flawless…To close out the program, Sherezade Panthaki returned on stage to sing Bach’s Wedding Cantata; and here the vocal agility and lush tone of Sherezade Panthaki created wonders. I can’t imagine hearing a better vocal rendition of this great cantata than […]
“It was a pleasure to encounter Diana Moore again at Göttingen, bringing her sumptuous mezzo voice and dramatic skills to the role of Hercules. For the first half of the piece she had only to sit looking god-like, but also responding to the different arguments – obviously, no easy choice. “Yet, can I hear that […]
“It was the Rossini that received the evening’s finest performance. With a reduced-in-size ensemble onstage, McGegan elicited playing that was characterized by transparent textures, fleet tempi, bracing rhythms and expertly modulated dynamics to capture the opera’s glittering rendering of the Cinderella fairytale. His command over the legendary “Rossini crescendo” was breathtaking.” — Read more at […]
“…a thrillingly colourful performance…Nicholas McGegan’s Swedish Chamber Orchestra give the catchy opening tutti just enough strut, and Frank-Gemmill’s acrobatic intro is a winner…” — Read more at The Arts Desk
“Santon-Jeffery and Cooley were also among the prime attractions, along with alto Avery Amereau and bass Hadleigh Adams, in the magnificent account of the Beethoven Mass that occupied the first half of the evening…McGegan oversaw the proceedings with a blend of fervor and tenderness.” — Read more at San Francisco Chronicle
“Frank-Gemmill delivers both with dulcet tone and impressive fluidity, helped by Nicholas McGegan and the Swedish Chamber Orchestra, who accompany with agility and finesse.” — Read more at wqxr.org.