“The two most notable operatic events of the spring in San Francisco had nothing to do with the San Francisco Opera and both represented a major collaboration between music and dance. In Berkeley’s Zellerbach Hall (April 28), Philharmonia Baroque Orchestra, the Centre de Musique Baroque de Versailles and Cal Performances collaborated on the first modern […]
“Under Nicholas McGegan, the Royal Northern Sinfonia played with irresistible spirit, and a boisterous crowd cheered everything. Nothing entertained more than the scintillating encore: Iain Farrington’s A Shipshape Shindig, an off-kilter take on The Sailor’s Hornpipe that should go straight into the Last Night of the Proms.” — Read more at The Times.
“History was made this afternoon as an orchestra struck up by the riverside in Hull – the first time a Prom has been held outside the capital in nearly 90 years. The Gateshead-based Royal Northern Sinfonia, conducted by Nicholas McGegan, opened with Telemann’s Water Music Overture followed by Delius’s Summer Night on the River as […]
“McGegan proved adept at catching the spirit of the era even on modern instruments with an all-student orchestra…McGegan and the ensemble were especially sparkly in the two final pieces, a short selection from Handel’s “Water Music” and a colorful dip into a suite from Purcell’s Faerie Queen.” — Read more at The Aspen Times.
“One of the happiest developments over the 20 years I’ve covered the Cliburn has been the FWSO’s vast improvement under Miguel Harth-Bedoya, music director for the last 16 years. But, given the orchestra’s relatively little experience in 18th-century style, it was a great idea to book a specialist, Nicholas McGegan, to conduct this round. Sure […]
“McGegan, who is noted for his expertise in 18th-century music, conducted about two dozen strings in a completely gorgeous, utterly placid recitation of the Mozart composition…Aside from being a masterful conductor, McGegan is a joy to watch.” — Read more at The Atlanta Journal Constitution. Photo: Jeff Roffman
“…rendered with nobility and verve by the orchestra under Music Director Nicholas McGegan…This was billed as the modern premiere of a work that has lain dormant for centuries; encountering it on stage at last was like watching a resplendently bedecked giant stirring to life.” — Read more at sfchronicle.com. Photo: Frank Wing
“McGegan conducted with his trademark verve and attention to detail, drawing forceful orchestral responses in the triumphant music and gentle, opulent sound in the pastoral scenes.” — Read more at mercurynews.com.
“With top-quality Baroque works performed in the Bay Area each year, music lovers might be tempted to think they’ve heard everything the era produced. But this weekend at Zellerbach Hall, audiences are about to experience a rare French Baroque masterwork – a fully staged production of Jean-Philippe Rameau’s 1745 opera-ballet “Le Temple de la Gloire” […]