Molomot’s “intrepid singing” in new Wozzeck recording

Posted on Mar 21, 2017 in Marc Molomot, Recording, Reviews | No Comments
Molomot’s “intrepid singing” in new Wozzeck recording

“In this performance, that voice belongs to tenor Marc Molomot, whose intrepid singing of the Hauptmann’s angular, awkwardly high-lying music is one of this Wozzeck’s greatest strengths. Precisely what motivates the Hauptmann’s idiosyncratic actions is one of Büchner’s and Berg’s gnawing enigmas, but Molomot, ever a shrewd artist with an uncanny ability to topple façades […]

The “gleaming tenor” of Marc Molomot

Posted on Jan 27, 2017 in Marc Molomot, Reviews | No Comments
The “gleaming tenor” of Marc Molomot

“The voices were magnificent…Mark Molomot, a pink-haired Puck, sang numerous arias with a gleaming tenor, and cut a very funny figure.” — Read more at gazettes.com.

Molomot’s “brilliantly Falstaffian performance” in ‘The Fairy Queen’

Posted on Jan 23, 2017 in Marc Molomot, Recording | No Comments
Molomot’s “brilliantly Falstaffian performance” in ‘The Fairy Queen’

“It was meant to be nasty inside as well. The O’Neill (formerly the Center Theater) had been turned into Club Fairy Queen in “sultry Las Vegas,” and on offer was “A Midsummer Night’s Dream” package….It is Puck who undergoes the most touching transformation. Moreover, the example of a brilliantly Falstaffian performance by French tenor Marc […]

Molomot is the “nucleus” of Purcell’s “Fairy Queen”

Posted on Nov 13, 2016 in Marc Molomot, Reviews | No Comments
Molomot is the “nucleus” of Purcell’s “Fairy Queen”

“The nucleus around which the supercharged particles of this Fairy Queen whirred was the Puck of tenor Marc Molomot… The tenor’s voicing of the epithalamium ‘Thrice happy lovers’ was the performance’s finest instance of Purcellian vocal authenticity.” — Read more at Voix des Arts.

Molomot and Chicago Opera Theater’s “Fairy Queen” is an “Inspired concept”

Posted on Nov 9, 2016 in Marc Molomot, Reviews | No Comments
Molomot and Chicago Opera Theater’s “Fairy Queen” is an “Inspired concept”

“With his flaming pink hair and expansive waistline, tenor Marc Molomot’s Puck blended the shambling shtick of comic Henny Youngman and the menace of the Master of Ceremonies in Cabaret.” — Read more with a subscription at musicalamerica.com.

Molomot and Cooley sing with Four Nations

Posted on Sep 7, 2015 in Marc Molomot, Thomas Cooley | No Comments
Molomot and Cooley sing with Four Nations

“But “Acis” is also gloriously sung, by Cooley, Heimes, Philip Cutlip, Aaron Sheehan, and Marc Molomot…” – Read more

Marc Molomot “almost stole the show”

Posted on Feb 11, 2015 in Artist News, Marc Molomot, News, Reviews | No Comments
Marc Molomot “almost stole the show”

The fellow who almost stole the show was tenor Marc Molomot. He turned his one solo, “Olim lacus colueram” (the swan who is being roasted on a spit), which is normally done as a lament, into a self-deprecating, humorous event that included terrific interaction with the men of the choir. – Read more at Northwest […]

Molomot: Rameau’s Pygmalion with On Site Opera

Posted on Jun 18, 2014 in Artist News, Marc Molomot, Reviews | No Comments
Molomot: Rameau’s Pygmalion with On Site Opera

“Marc Molomot brought his fine, style-appropriate voice to the title role, resourcefully scaling the considerable upper reaches, expressively molding the French text…” Read more here

Kelly, Molomot and Sieden in Orff’s “Carmina” with Pacific Symphony

Kelly, Molomot and Sieden in Orff’s “Carmina” with Pacific Symphony

“Baritone Michael Kelly (the father) negotiated his solos with luxurious warmth and a firm line.” “Soprano Cyndia Sieden (the mother) sang clearly and elegantly, handling the high stuff with aplomb.” “Tenor Marc Molomot (the passenger) managed the Swan’s song evenly and eloquently, without, it would appear, resorting to falsetto.” Read more here.

Marc Molomot: Il ritorno d’Ulisse Boston Globe Review

Posted on Apr 28, 2014 in Marc Molomot, Reviews | No Comments
Marc Molomot: Il ritorno d’Ulisse Boston Globe Review

“Also outstanding…Marc Molomot’s stuttering sponger Irus.” Read more here.