Rose’s Boston Modern Orchestra Project

Posted on Apr 3, 2017 in Gil Rose | No Comments
Rose’s Boston Modern Orchestra Project

“The audience participation brought a rousing conclusion to a very satisfying and very well-played program of varied contemporary pieces—something we have become privileged to expect of conductor Gil Rose and BMOP.” — Read more at classical-scene.com.

Rose’s “Four Saints in Three Acts” with BMOP

Posted on Mar 30, 2017 in Gil Rose, Recording, Reviews | No Comments
Rose’s “Four Saints in Three Acts” with BMOP

“The orchestra’s playing under Rose is also exemplary: this is a score in which frequent changes of instrumentation create a balancing act that could undo a lesser ensemble.” — Read more at Sequenza21.

Rose and Odyssey Opera present the rare “The Importance of Being Earnest”

Posted on Mar 18, 2017 in Gil Rose, Reviews | No Comments
Rose and Odyssey Opera present the rare “The Importance of Being Earnest”

“Completed in 1962, this opera was never published and has rarely been performed; Odyssey had to get the permission of the composer’s granddaughter to obtain the manuscript from the Library of Congress. The result, in the performance Odyssey gave Friday at the BCA’s Virginia Wimberly Theatre, was well worth the trouble.” — Read more at […]

Rose’s “clarity of focus” in Glass Celebration concert

Posted on Feb 21, 2017 in Gil Rose, Reviews | No Comments
Rose’s “clarity of focus” in Glass Celebration concert

“Conductor Gil Rose, with his clarity of focus, guided the deliberate and frenetic energy of the final movement Eris, Goddess of Chaos, through its contrasting phrases and impassioned gestures.” — Read more at The Boston Musical Intelligencer.

Rose’s “thrilling, epic reading” with Boston Modern Orchestra Project

Posted on Feb 20, 2017 in Gil Rose, Reviews | No Comments
Rose’s “thrilling, epic reading” with Boston Modern Orchestra Project

“Their performance was rhythmically tight. Energy never lagged. Intonation was precise. Melodies were delicately shaped and phrased with an eye to the work’s overarching trajectory. Balances were well-calibrated. It was, in the end, a thrilling, epic reading.” — Read more at The Arts Fuse.

Rose’s “flair and feeling” with Boston Modern Orchestra Project

Posted on Feb 19, 2017 in Gil Rose, Reviews | No Comments
Rose’s “flair and feeling” with Boston Modern Orchestra Project

“Not only did they perform his “Tirol Concerto” for piano and strings and his Second Symphony, they did so with flair and feeling.” — Read more at The Boston Globe.

Rose’s “Virgil Thomson opera, Four Saints in Three Acts”

Posted on Feb 16, 2017 in Gil Rose, Recording, Reviews | No Comments
Rose’s “Virgil Thomson opera, Four Saints in Three Acts”

“This recording is a fine example why I have come to love the work of Gil Rose and his Boston Modern Orchestra Project…All BMOP recordings (even those on other labels) are consistently of the highest quality and the performances are definitive. This series now on the orchestra’s own label is rapidly becoming a sort of […]

Rose and Odyssey Opera’s ‘Dimitrij’ featured on WCRB Boston

Posted on Nov 9, 2016 in Broadcasts, Events, Gil Rose | No Comments
Rose and Odyssey Opera’s ‘Dimitrij’ featured on WCRB Boston

On Sunday, November 13th, 7pm, WGBH Classical, 99.5 will broadcast Odyssey Opera’s (Gil Rose, conductor) production of Dvorak’s Dimitrij. Listen to the production-in-full, recorded by WGBH, at http://classicalwcrb.org

GRAMOPHONE: Rose and BMOP celebrate 50th recording

Posted on Nov 8, 2016 in Artist News, Gil Rose | No Comments
GRAMOPHONE: Rose and BMOP celebrate 50th recording

“With a 50th recording now released on its own label, the Boston Modern Orchestra Project is as committed as ever to championing contemporary American composers, writes David Weininger.” — Read more in the November 2016 issue of Gramophone Magazine.

Rose brings out the “thunder and lightning” of Russian history

Posted on Sep 19, 2016 in Gil Rose, Reviews | No Comments
Rose brings out the “thunder and lightning” of Russian history

Odyssey’s presentation was just the third in America, and the first to use the critical edition of Czech scholar Milan Pospíšil…his reading accorded full justice to the thunder and lightning of Russian history. Read more at bostonglobe.com.