“Dinur, the orchestra, the Milwaukee Symphony Chorus, and sopranos Sherezade Panthaki and Yulia Van Doren, countertenor Daniel Taylor, tenor Dominic Armstrong and baritone Alexander Dobson captured the individual character of each of the brief movements, knitting them into a compelling musical whole. The vocal soloists gave musically rich, soaring performances of their solo movements…” — […]
“British-Canadian baritone Alexander Dobson was superb as he sang his ‘a cappella’ recitatives with authority and dramatic fervour.” — Read more at Toronto Concert Reviews.
“Guest conductor Matthew Halls led the orchestra, the Milwaukee Symphony Chorus, and soprano Sherezade Panthaki, mezzo-soprano Meg Bragle, tenor Lawrence Wiliford and baritone Alexander Dobson in an emotionally charged performance.” — Read more at jsonline.com. Photo: Jonathan Kirn / MSO
“The title protagonist…was embodied in physique, serpentine poses and baritone power by Alexander Dobson. He flashes his sword and prowls for women like Douglas Fairbanks reborn into lechery.” — Read more at urbanmilwaukee.com.
Baritone Alexander Dobson (Don Giovanni), a libertine whose gruesome comeuppance is delivered by one of the many people he has wronged, used a ringing, present sound and duplicitous charm to create the quintessential bad boy. — Read more at jsonline.com.
“Standouts among the cast include Alexander Dobson, who has an enormous voice and therefore sings at a lower volume to match his cast-mates. Even so, the richness of his voice and his expressivity as a singer are marvellous.” – Read more at stage-door.com.
“…a showcase for the formidable singing and acting abilities of baritone Alexander Dobson. His voice is beautifully warm and multi-hued. Rolfe’s sensitive score and Poch-Goldin’s imaginative libretto allow Dobson’s character to cover a huge range of emotions in just an hour – from satire and irony to disgust, joy, ecstasy, depression and resignation. Dobson is […]
“Alexander Dobson anchors the piece as The Master and seamlessly transitions between emotional and tonal fluctuations within the very abstract piece.” – Read more at Broadway World Toronto.