“Mr. Rose led the orchestra through the aggressive opening gestures with ferocity, juxtaposing the more lyrical wind solos and microtonal melodic fragments with an ear for contrast.” — Read more at Pittsburgh Post-Gazette.
“Panthaki was absolutely sensational, singing with sumptuous tone, extraordinarily flexible and apparently effortless coloratura, and impeccable diction…the role of Joseph was elegantly sung by mezzo-soprano Diana Moore, whose burnished low notes resounded darkly while her shimmering high notes shone brightly…conductor Nicholas McGegan led his period-instrument orchestra in a rhythmically pulsating score.” — Read more at […]
“Panthaki has thankfully become a regular presence in Philharmonia concerts over the past few years, but — as with the late Lorraine Hunt Lieberson before her — it becomes increasingly difficult to find words that will adequately convey the multifold splendor of her singing. It is full-bodied and rich in coloration, yet her phrases move […]
Virgil Thompson’s The Mother of Us All, featuring Marc Molomot in role of John Quincy Adams, has made two “Best of 2017” lists. Links are below! — The New York Times – WQXR
“Irish mezzo-soprano Paula Murrihy made a memorable Boston Baroque debut, with a dolefully entrancing “He was despised.” Her vowels were tall, her lines cleanly sculpted, and her timbre refreshingly earthbound.” — Read more at The Boston Globe.
“When the baritone Hadleigh Adams made his entrance, with a stern, declamatory and fortissimo “Thus saith the Lord,” a couple audience members visibly jumped in their seats. After the mellow, fluid tones of the tenor, these words came as a game changer, intense and operatic. He gave a stirring account of the slow crescendo of […]
“At the end of each concerto, the audience applauded; at the end of the complete work, the audience roared…He’s a superb technician with an idiomatic, committed approach to the music.” — Read more at The St. Louis Post Dispatch.
“The baritone Hadleigh Adams delivered a comic tour de force as General Lansing, who becomes unhinged as he extolls a Trumpian “wall of defense” that is supposed to keep aliens at bay. Gosfield gives him a full-on mad scene, with deranged atonal coloratura.” — Read more at The New Yorker.
“Sherezade Panthaki, a newcomer for the festival we hope to hear here again soon, sang the aria with a full palette of tonal color and expert interpretive skills. In the da capo repeat of the first theme, Panthaki mined the passion inherent in the aria for all it was worth.” — Read more at Berkshire […]
“McGegan is always fun to watch as he dances about the podium, and his expressiveness set the tone for the entire concert…First came two arias from Vivaldi’s first opera, composed in 1713, “Ottone in villa.” “Gelosia, tu già rendi l’alma mia” is a showy piece; it was sung brilliantly by soprano Sherezade Panthaki.” — Read […]